The Process Behind Propinquity

My work begins with the freedom of pure expression — painting original abstract pieces without rules or expectation. Once complete, these paintings are deconstructed - cut into fragments. I use these strips of art as my palette, allowing their composition and marks to guide the next phase of creation.
 

The act of deconstruction is both deliberate and instinctive. It strips away control and invites surprise, revealing new relationships between color, line, and texture. From there, I begin the process of reassembly — weaving, layering, and arranging the fragments into intricate compositions. Some works mimic literal woven structures, while others explore the idea of weaving as a metaphor: for memory, connection, and the unseen threads that link us to one another. This process is deeply therapeutic for me. It’s a practice rooted in presence and intuition, where each decision leads naturally to the next. The rhythm of tearing and weaving becomes meditative — a way to process thoughts, emotions, and experiences through the tactile language of paper.
 

At its core, my work is about connection. About how individual pieces, when placed in close proximity to others, form patterns and relationships greater than themselves. The physical act of weaving is mirrored in the representational nature of these works: exploring how people, stories, and histories intersect and overlap, creating meaning in both the spaces they occupy and the gaps they leave behind.
 

Propinquity is a reflection of this — a celebration of closeness, familiarity, and the quiet power of proximity. Through the physicality of paper and the language of pattern, I invite viewers to slow down, lean in, and find their own connections within the work.

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Enjoy the brief video of the building of Propinquity below. Thank you for being here! 

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